Archive for the ‘News’ Category

Sonic Boom Festival

Monday, April 4th, 2011

SONIC BOOM FESTIVAL of new music

March 24 – 27, 2011
THE WESTERN FRONT
303 E 8TH AVE, VANCOUVER
Friday, March 25, 7:30PM – Standing Wave Ensemble

Composer in Residence: R. Murray Schafer
Ensemble in Residence: Standing Wave
Featured Ensemble: Nu Collective
Guest Artist: Rachel, Kiyo Iwaasa
Plenary Lecturer: Dr. Andrew Schloss

Tickets: $25 regular / $15 students, seniors and artists
Festival Pass: $60
Available at the door, cash only

tanding Wave is a chamber ensemble dedicated to commissioning and performing works by Canadian and International composers. Made up of six of Vancouver’s most plugged-in musical multitaskers, Standing Wave is equally comfortable playing complex chamber compositions, venturing into the world of Musique Actuelle and performing with electroacoustics and multimedia.

Since its formation in 1991, Standing Wave has presented an annual season of contemporary music concerts in Vancouver and has also toured across Canada. The Ensemble has commissioned and premiered a great number of compositions by Canadian and International composers, collaborated with stellar guest artists from various genres and disciplines and recorded many times for CBC Radio. Standing Wave has released two CDs, a self-titled recording released in 1991 and Redline in 2006.

For more information:
www.standingwave.ca
www.vancouverpromusica.ca

Standing Wave at Terminal City Soundscape, January 23, 24, 25 2011

Wednesday, December 1st, 2010

Terminal City image

Terminal City Soundscape

Presented by the PuSh International Performing Arts Festival, Music on Main and CABINET Interdisciplinary Collaborations

January 23-25, 2011,  
Heritage Hall

Bar opens at 7PM, Concert at 8PM

Tickets 
$29 General, $15 Students

ticketstonight.ca or 
604.684.2787

Discover the essential aesthetics that have come to define Vancouver musically. Through intercultural music and free improv, through the World Soundscape Project and a musical fascination with beauty, Vancouver’s leading composers, performers and musical thinkers have shown us how the local is universal.

Curated by Music on Main’s David Pay, Terminal City Soundscape focuses our ears–and eyes–on this idea. You’ll experience ALL, an immersive, interdisciplinary collaboration between award-winning filmmaker Mina Shum and Vancouver’s Standing Wave Ensemble, and hear Jocelyn Morlock’s transcendent Exaudi with musica intima and cellist Ariel Barnes. Other works include Hildegard Westerkamp’s Kits Beach Soundwalk and Barry Truax’s Riverrun alongside music by Veda Hille, Bramwell Tovey, Rodney Sharman, and many others.

“Music on Main … provides western Canada with one of the finest windows onto the post-classical scene” – Gramophone Magazine

More info: musiconmain.capushfestival.ca | standingwave.ca

STANDING WAVE presents VINTAGE MACHINES

Monday, November 8th, 2010

Standing_Wave_Vintage_Machines_Poster_FINAL.indd

standing wave ensemble

vintage machines

Monday November 29, 2010, 8pm

The Cultch, 1895 Venables Street

$16.00 general / $12.00 students & seniors (plus service charge)

Tickets through The Cultch box office •  tickets.thecultch.com •  604.251.1363

www.standingwave.ca

A-K Coope, clarinet Rebecca Whitling, violin Peggy Lee, cello

Allen Stiles, piano Vern Griffiths, percussion

PLUS special guests Nicole Lizée, electronics and Christie Reside, flute

On November 29, 2010 at The Cultch, experience the rush at the intersection of electronic and acoustic music. Standing Wave presents an intrepid programme of cutting edge chamber music by Canadian and International composers.  Montreal’s Nicole Lizée will join the ensemble on vintage electronic instruments for the premiere of her new piece Sculptress, an homage to electronic music pioneer Delia Derbyshire and the BBC Radiophonic Workshop.  Lizée’s piece will be preceded by a screening of Kara Blake’s Genie Award-winning documentary portrait of Delia Derbyshire, The Delian Mode.  The programme will also feature far-out sounds by Missy Mazzoli and Sean Varah, including the Canadian premiere of Mazzoli’s Still Life With Avalanche, as well as Structural Integrity, a new work by the Wave’s own Vern Griffiths. Join Standing Wave for this evening of bold new music exploration.

The Delian Mode is a short experimental documentary revolving around the life and work of electronic music pioneer Delia Derbyshire, best known for her groundbreaking sound treatment of the Doctor Who theme music.  A collage of sound and image created in the spirit of Derbyshire’s unique approach to audio creation and manipulation, this film illuminates such soundscapes onscreen while paying tribute to a woman whose work has influenced electronic musicians for decades.

Nicole Lizée is a composer, sound artist and keyboardist based in Montreal, Quebec.  Her compositions range from works for large ensemble and solo turntablist featuring DJ techniques fully notated and integrated into a concert music setting, to other unorthodox instrument combinations that include the Atari 2600 video game console, Simon and Merlin hand held games, and karaoke tapes.  Nicole has received commissions from several artists and ensembles including l’Orchestre Métropolitain du Grand Montréal, CBC and So Percussion.  In 2010 Nicole was awarded a fellowship from the prestigious Civitella Ranieri Foundation based in New York City and Italy.  She has twice been named a finalist for the Jules-Léger Prize, most recently in 2007 for the work This Will Not Be Televised, scored for chamber ensemble and turntables. This work was selected as a top ten recommended work at the 2008 International Rostrum of Composers in Dublin. In 2004 she was nominated for an Opus Prize.  Standing Wave is delighted to premiere the new work Lizée has composed for them, especially with Lizée herself here in Vancover to perform with the ensemble.

Standing Wave is an ensemble of five exceptional musicians who perform contemporary music with virtuosity and style, cutting across musical landscapes with sharpness, wit and intelligence. The ensemble is equally comfortable performing complex chamber compositions, new music and works with electro-acoustics. Their adventurous programming and dynamic performances combine to capture listeners’ hearts and imaginations, placing Standing Wave at the forefront of Canada’s new music scene.

This concert is being recorded for The Signal, hosted by Laurie Brown, heard Mon-Sat @ 10 PM on CBC Radio Two 105.7

“…fresh sounds that twist and surprise… Standing Wave is a vital contemporary voice with drop-dead ingenious musicians.” Vancouver Sun

Tony Wilson Sextet on TOUR

Friday, November 5th, 2010

Tony Wilson 2001 cushadowface1

TOUR DATES

Thursday, Nov.11, 9 pm – Casa del Popolo, Montreal, http://liftticketsystem.com/events/casadelpopolo

Friday, Nov.12, 8 pm – Imperial Pub, Toronto, http://www.musicgallery.org/node/369

Saturday, Nov.13, 9 pm – Yardbird Suite, Edmonton, http://www.yardbirdsuite.com/home.htm

Tony Wilson Sextet

Tony Wilson — guitar + harmonica

Paul Blaney — double bass

Kevin Elaschuk — flugelhorn, trumpet

Peggy Lee — cello

Dave Say — tenor + soprano saxes + flute

Skye Brooks — drums

The Tony Wilson Sextet was formed in 1990 in Vancouver to perform original compositions and arrangements by guitarist Tony Wilson. Since 1995 the ensemble’s personnel has remained constant and consists of the musicians heard on their newest recording The People Look Like Flowers at Last (Drip Audio). This is the long awaited second release for the ensemble. Their debut CD Lowest Note was released on Spool in 2001 and received great reviews and was one of the Globe and Mail picks for that year.

In the last 20 years, the sextet has performed well over 200 times. They have been featured at the Vancouver International Jazz Festival 18 times over the last two decades. The sextet has toured the western United States and British Columbia coastal region several times. The group has collaborated with visual artists and dance companies and has presented tributes to artists such as Canadian flugelhornist Freddie Stone and American jazz icons such as Duke Ellington, Jim Pepper and classical composer Benjamin Britten. Although the group has a large library of arrangements, it has been mainly devoted to performing original compositions of which there are more than 150.

All the members of the sextet are in demand locally and internationally and leaders of their own ensembles.

On this tour the Sextet will be performing material from their newly released CD The People Look Like flowers at Last. The CD focuses on arrangements of Benjamin Britten’s composition Lachrymae and some original compositions. In its **** star review of the disc, Downbeat magazine says, “His excellent band deserves plenty of credit, seamlessly drifting from Third Stream Ideas, raucous improve, rock-driven energy and distended swing flurries.”

“Wilson seems, as a player and a composer, to be beyond category. His talent is worldwide in power.” Pop Matters

“…it’s a ride of dissonance and beauty.” FFWD Weekly

“The mighty Tony Wilson pulls another rabbit out of his hat with this wonderful disc.” Downtown Music Gallery (New York)

“…an enormously accomplished group.” Point of Departure

“thoughtful music and committed performances.” Exclaim!

“…their most ambitious record to date…” Montreal Mirror

“…as hip as anything coming out of any urban jazz mecca.” The Georgia Straight

“…a unique and exciting modern jazz ensemble.” Tokafi

“Free music not allergic of melodic components.” Vital Weekly (Dolf Mulder)

www.tony-wilson.ca

www.myspace.com/tonywilsonmusic

1112 tonywilson1

Hard Rubber Orchestra ~ 20th Anniversary Concert

Wednesday, October 13th, 2010

HRO_20_Anniversary_Poster_Final.indd

Hard Rubber New Music Society presents

HARD RUBBER ORCHESTRA

20th Anniversary Concert

featuring highlights from the past 20 outrageous years

Saturday, November 13 2010, 8pm

SFU Woodwards, Fei and Milton Wong Experimental Theatre

149 W.Hastings Street, tickets $20 (general), $15 (students/seniors)

Buy tickets here: www.ticketstonight.ca or phone 604.684.2787

For more info: www.hardrubber.com or phone 604.683.8240


On Saturday, November 13, 2010 at the Fei and Milton Wong Experimental Theatre, the 18-piece Hard Rubber Orchestra celebrates their 20th anniversary with many special guests from the group’s illustrious past, including singer Veda Hille, trombonist Hugh Fraser and DOA’s Joe Keithley among others.

Formed by artistic director John Korsrud twenty years ago, the Hard Rubber Orchestra has consistently been Canada’s most active and unpredictable ensembles of creative music, presenting concerts of original music by some of Canada’s most exciting composers, performed by some of Vancouver’s finest musicians.  Their first concert was at the original Glass Slipper.

What has HRO, Godzilla of the Vancouver music scene, been up to the past 20 years?

  • They have collaborated with an incredibly diverse spectrum of Vancouver artists such as Sook-Yin Lee, Joe Keithley, Brad Turner, Kokoro Dance, Dee Daniels, Emanuel Sandhu, The Tomorrow Collective, Veda Hille, Ford Pier, and filmmakers Brian Johnson and jamie griffiths.
  • HRO has produced over 60 unique concerts, toured across Canada several times and to Europe, received the 2005 Alcan arts Award – the largest arts award in Canada for creation, produced a CBC-TV special, recorded several CBC Radio broadcasts and released two CDs
  • They have challenged the boundaries of the concert experience, creating several large multi-media shows such as The Elvis Cantata (1994, 1996), which took an irreverent look at pop icons; White Hot Core (1995), a sensual and provocative collaboration with Kokoro Dance; the Alcan awarded Enter/ Exit (2005); the arts rave Drum & Light Festival (2008-2010); and The Ice Age (2000, 2010), an on-ice extravaganza featuring the talents of hockey players, curlers and figure skaters.
  • HRO is also one of Canada’s leading ensembles commissioning new compositions, commissioning forty new works by thirty composers from jazz and classical fields such as Phil Dwyer, Brad Turner, Hugh Fraser, Michael Blake, Paul Dolden, Howard Bashaw, Linda Bouchard, Keith Hamel and Jean Derome.

Join Hard Rubber Orchestra on November 13th to celebrate 20 years of exceptional creative music.

“Hard Rubber is, no question, consistently the best Vancouver band event you can see.”

Discorder Magazine

We gratefully acknowledge the financial support of the Canada Council for the Arts, the Province of BC through the BC Arts Council and Direct Access to Charitable Gaming, and the City of Vancouver through the Office of Cultural Affairs.

Kathy Kallick Band – Monday October 18 at the ANZA Club

Friday, October 8th, 2010

Kathy Kallick Band

The Pacific Bluegrass & Heritage Society Presents

The Kathy Kallick Band

Tom Bekeny mandolin ♦ Dan Booth acoustic bass

Greg Booth dobro, banjos ♦ Annie Staninec fiddle

Kathy Kallick guitar, vocals

Monday Oct.18, 2010, 8pm at the ANZA Club, 3 W.8th Avenue, Vancouver

Tickets $20 PBHS Members / $25 Non-members

Tickets Available at the DOOR more info: www.pacificbluegrass.ca

HOT BLUEGRASS & COOL ORIGINALS!  www.kathykallick.com

Kathy Kallick and her exciting band are making a stop in Vancouver to share the music from their new album, Between the Hollow & the High-Rise, which is currently riding high on both US national bluegrass charts.  Bluegrass, old time, and folk music fans alike will enjoy their compelling original songs and distinctive treatments of classics, in a memorable showcase filled with soulful singing, sizzling playing, and an engaging presentation.

Kathy Kallick has been leading bluegrass bands (including the semi-legendary Good Ol’ Persons) since 1975. She continues to evolve as one of the music’s extraordinary composers and vocalists, releasing 15 albums, which include over 100 of her original songs, and garnering international recognition.

Along the way, she has … won a Grammy and two IBMA Awards for her part on True Life Blues: The Songs Of Bill Monroe … had three title tracks and albums (Call Me A Taxi, Walkin’ In My Shoes, and Warmer Kind Of Blue) each spend close to a year in the upper echelon of the Bluegrass Unlimited National Bluegrass Survey (“the charts”) … performed and recorded with the Frank Wakefield Band … appeared on three high-profile Rounder collections of bluegrass songs by women … written and recorded award-winning music for children and families … toured throughout North America, Europe, and Japan … received a “Lifetime Membership Award” from the California Bluegrass Association … and … collaborated with some of the country’s top acoustic musicians – including her fabulous current band.

A profound songwriter and expressive singer, San Franciscan Kathy Kallick is a mountain gal at heart. Her singing has always been earthy and passionate. As a songwriter, she knows how to pen beautiful impressionistic pieces with memorable contemporary messages. A troubadour and exquisite storyteller, (her) arrangements are tightly crafted, with each song given its own non-formulaic treatment. —Joe Ross, BLUEGRASS NOW

Praise for Between the Hollow & the High-Rise:

A selection of material that should leave most any fan of traditional bluegrass yearning for more, with a great mix of well written, heartfelt originals, and arrangements with some subtle twists and turns that are sure to please a mindful ear. The Kathy Kallick Band plays hard-drivin’ traditional bluegrass that harkens back to the dirt-floor rural up bringing of those who laid the music’s foundation long ago. And make no mistake they do a great job of it. – Travis Tackett, BLUEGRASS JOURNAL

NEW RELEASE! Robin Holcomb & Talking Pictures with Wayne Horvitz

Monday, September 27th, 2010

The Point of It All - cover art

Presenting The Point of It All, a new recording from the rich creative collaboration between Talking Pictures, singer-pianist Robin Holcomb, and keyboardist Wayne Horvitz.  Together they create a musical tapestry weaving free improvisation with lyrical compositions.

In a post-modern world of sometimes gaudy mix-and-match stylistics, yet another record that confounds easy categorization may not seem unusual. But The Point of It All is unusual. For one thing it takes its time to get where it’s going, and this slow build has a cumulative effect. And, as the title suggests, there’s a lesson of sorts being expounded. There’s certainly something archaic about it, almost as if these songs had already existed as prototypes in another time and place, a lost America of long ago (of course one of them, Johnny Has Gone for a Soldier, actually dates from the American War of Independence).  You can hear this in Robin’s voice, which seems to lament even as it celebrates, and you can hear it in the sometimes circus-like and gospel-like tones and timbres of the instruments. Yet this music is very much about now, a symbolic distillation of the present. It does not mince words, and its catharsis is hard-earned, not nostalgic. It is also, at times, joyful and exuberant, even raucous. It seems to light up from the inside.

Robin Holcomb’s last release on Songlines was Solos (2004) on which she and her husband Wayne Horvitz shared a program of their solo piano compositions and improvisations. Meanwhile Vancouver guitarist Ron Samworth’s quartet Talking Pictures (which released Humming on Songlines in 2000) had been performing some of Robin’s music and had concertized with Wayne (documented on the CD Intersection Poems); in 2006 Ron invited Robin and Wayne to collaborate with them in creating a collectively arranged concert of Robin’s work in Vancouver. Peggy Lee was already part of Wayne’s Gravitas Quartet, and after the concert everyone felt that this new initiative shouldn’t just be a one-off. Peggy and Robin started performing occasionally as a duo, and in 2009 a second Vancouver concert and a recording session were organized. Ron and Peggy each composed a new song for the occasion to complement 9 pieces of Robin’s (only one of which had been recorded before) and her arrangement of After the Gold Rush.

The results throw a different light on the music of one of America’s most distinctive yet ultimately elusive musicians and lyricists.

As Robin puts it, “Talking Pictures share an intimacy and intuition that is staggering and which they apply with joyful abandon in not only our mutual improvisations but also in their interpretation of my compositions. It was a wonderful experience for me, one of those rare situations wherein I can not only improvise and do whatever arises in the moment, but can also bring to the table any music I want to – the end result doesn’t have to be only an improvised project, or a chamber music project, or a songs project or a jazz project. There is great logic in their coloration and sense of balance, no matter how seemingly chaotic or contrary….Wayne and I have been playing each other’s music for more than thirty years. Talking Pictures have played together for over fifteen years. There are a lot of historical strands at work.”

Ron adds, “Robin’s music is the perfect vehicle for a band like Talking Pictures. There is such a wealth of information in any given phrase – melodic, harmonic and rhythmic, not to mention the extraordinary richness of lyrical imagery in her songs. It’s an improviser’s dream. Our band greatly values ensemble playing where we create unified improvised pieces that explore a variety of textures and moods. Robin and Wayne seem to share that open, collective spirit.”

For more information: www.robinholcomb.com, www.waynehorvitz.net, www.answers.com/topic/ron-samworth, www.dkam.ca/artists/talking-pictureswww.dkam.ca/artists/peggy-lee-band.

The interview with Robin and Ron is at songlines.com/interviews/pointofitall.html.

Press support: Cary Goldberg, GoMediaPR, (434) 293-6633, cary@gomediapr.com

Tony Reif/Songlines Recordings
3036 W. 6th Ave., Vancouver, BC V6K 1X3, Canada
(604) 737-1632 • treif@songlines.com • www.songlines.com
Distributed in the US by Allegro, allegro-music.com, in Canada by Outside Music, outside-music.ca

Katari Taiko Winter Workshop – Dec.5, 2010

Wednesday, September 8th, 2010

Katari Taiko

Katari Taiko Winter Workshop

Sunday, December 5, 2010, 10am-4pm

at the Taiko Space in East Vancouver

Fee: $75 (general)
$50 (students/seniors/unemployed)

Info 604.683.8240

Learn about taiko history, notation, and basic rhythms at this one-day, hands-on workshop. At the end of the workshop, participants will have learned a taiko piece. No previous experience is necessary.
Participants must be a minimum of 16 years of age.  Applicants will be accepted on a first come, first served basis to a maximum of 15.   To register, please call 604-683-8240 or email koralee@dkam.ca.

www.kataritaiko.bc.ca

Birds of Paradox nominated for Western Canadian Music Award!

Thursday, August 12th, 2010
BoP photo from the Georgia Straight, July 6

BoP photo from the Georgia Straight, July 6

We’re pleased to announce that Birds of Paradox’s new self-titled cd has been nominated for a Western Canadian Music Award in the category of  Instrumental Recording of the Year.

The WCMA’s will be held in Kelowna, BC this year October 21-24.  You can find more about the conference & awards show here.

There’s been a flutter of press about the new cd.  Check out this article in the Georgia Straight (July 6,2010) and this review in The Province (July 5, 2010).

Congratulations Birds!

Buy the CD online at CD Baby and iTunes.

www.birdsofparadox.com

Katari Taiko with Mario Zetina at the Powell Street Festival

Wednesday, July 21st, 2010

PSF 2010 e-flyer

Katari Taiko with Mario Zetina
Saturday, 4-4:30pm, Main Stage

With arms and hips swinging, Katari Taiko and guest percussionist Mario Zetina will present new work and fresh arrangements combining Latin American music and rhythms with the beat of the taiko at the 2010 Powell Street Festival.  With taiko, congas and voice, Katari Taiko and Zetina will
create a commotion with Ja Sawago, wake the lion with Shi Shi Mai, get the blood flowing with a merengue-taiko concoction and celebrate this fabulous union with Matsuri .

http://www.powellstreetfestival.com/