Posts Tagged ‘cello’

Standing Wave – Vansterdam – April 21

Monday, March 11th, 2013

The Standing Wave Society Presents

Vansterdam

Sunday April 21, 2013, 8pm

The Cultch, 1895 Venables Street, Vancouver

$22.00 general / $17.00 students & seniors

Tickets through The Cultch box office • tickets.thecultch.com

or call 604.251.1363

For more info call 604.683.8240 or visit standingwave.ca

From week-long rains to Bixi bikes to pot café culture, residents of Vancouver are often made aware of parallels between our city and the Dutch capital, Amsterdam.  These connections are especially evident in Vancouver’s musical community.  Vansterdam will explore the musical kinship that exists between Vancouver and the Netherlands.

The program will feature brand new works from two of BC’s brightest and best composers, both greatly influenced by the music and culture of the Netherlands.  Dutch – born Vancouver composer Edward Top‘s new piece, Pots ‘n Pans Falling, an Acoustic Panel commission, will touch on themes of violence and lost innocence, while Ladner native and graduate of the Netherlands’ Koninklijk Conservatorium, Justin Christensen‘s new work, Critical Distance, draws its inspiration from the films of French New Wave director and enfant terrible Jean-Luc Godard.  Putting these two new works in relief, the ensemble will put their stamp on Workers Union, Louis Andriessen’s 1975 classic work for ‘any loud sounding group of instruments’.   Internationally celebrated Dutch composer Robin de Raaff will be represented by his gorgeous and popular work Un visage d’emprunt, as will Vancouver’s own enfant terrible John Korsrud, who will contribute a new arrangement of his own piece Two Tastes of the Hague, a tribute to his former teacher Louis Andriessen.

This concert also celebrates the release of Liquid States, Standing Wave’s third CD of commissioned contemporary chamber music featuring works by Jeffrey Ryan, Jocelyn Morlock, Rodney Sharman and Linda Bouchard.

Vansterdam - Standing Wave - April 21

Standing Wave is an ensemble of six exceptional musicians who perform contemporary music with virtuosity and style, cutting across musical landscapes with sharpness, wit and intelligence. The ensemble is equally comfortable performing complex chamber compositions, new music and works with electro-acoustics. Their adventurous programming and dynamic performances combine to capture listeners’ hearts and imaginations, placing Standing Wave at the forefront of Canada’s new music scene.

 

It’s no cinch to accurately reproduce this dizzying beauty, but Vancouver’s most accomplished contemporary chamber music group did just that, without even breaking a sweat.  Alex Varty, The Georgia Straight

 

FILM IN MUSIC – April 5, 2013

Monday, March 4th, 2013

Friday April 5, 2013, 9pm

Ironworks, 235 Alexander Street, Vancouver

Tickets through Brown Paper Tickets • brownpapertickets.com

$18.00 (general) / $15.00 (students & seniors)

box office opens at 8pm, CASH ONLY at the door

INFO & RESERVATIONS: 604.683.8240

PEGGY LEE, cello • JESSE ZUBOT, violin • KEVIN ELASCHUK, trumpet • CHRIS GESTRIN, fender rhodes • RON SAMWORTH, guitar • TORSTEN MULLER, bass • ANDRÉ LACHANCE, bass • DYLAN VAN DER SCHYFF, drums

Film in Music invites you on a cinematic ride inside the music. This project, led by cellist Peggy Lee, features eight improvisers from Vancouver’s rich and diverse creative music community. Each musician becomes a character within the framework of this musical suite, voicing their ideas through unaccompanied solos and in small groupings. While the composed sections of the music imply the arc of a story, they are also intended as launching pads for the musicians to make extended improvised statements, taking the listener on a journey that is never the same twice.

Since moving to Vancouver from Toronto in 1989, Peggy Lee has become a major voice in the city’s creative music community. Film in Music was originally conceived of in 2009. Current projects besides Film in Music include the Peggy Lee Band, Ron Samworth’s Talking Pictures, The Tony Wilson Sextet, Wayne Horvitz’ Gravitas Quartet, a duo with Robin Holcomb, the string quartet Microcosmos, a new collaboration with Mary Margaret O’Hara called Beautiful Tool, Dave Douglas’ Mountain Passages and the new music ensemble Standing Wave.

The Peggy Lee Band, has released five recordings of original music, the most recent being Invitation, released in October 2012 on the Drip Audio label.  This latest recording has garnered rave reviews both internationally and right here at home.

Imagine a modern-day Duke Ellington combo spiced up with shards of noise, and you’d be on the right track; it’s music that combines the timeless and the otherworldly in equal measure. – The Georgia Straight

…there is an overall sense of completeness that makes this a great album, rather than just an assemblage of good songs. – All About Jazz

This is beautiful music played by master musicians of a sort that is all too rare. - The Province

Film in Music - April 5 - eflyer

Media Contact: Koralee at Diane Kadota Arts Management, 604.683.8240 ♦ koralee@dkam.cawww.dkam.ca

We gratefully acknowledge the financial support of  the Province of BC through Direct Access to Charitable Gaming.

Northern Visions – NEW DATE!

Saturday, October 6th, 2012

IMPORTANT ANNOUNCEMENT – CONCERT RESCHEDULED

Regretfully, due to a family emergency, our Northern Visions concert has been postponed and rescheduled.  The new date for the concert is Tuesday November 6, 2012, 8pm at The Cultch.

Thank you for your understanding.  We hope to see you there.

- Standing Wave

NORTHERN VISIONS

standing wave ensemble

NEW DATE! Tuesday November 6, 2012, 8pm at the Cultch, 1895 Venables Street, Vancouver

$22.00 general / $17.00 students & seniors

Tickets through The Cultch box office • tickets.thecultch.com • 604.251.1363

For more info call 604.683.8240 •  or visit www.standingwave.ca

Christie Reside, flute A-K Coope, clarinet Rebecca Whitling, violin

Peggy Lee, cello Allen Stiles, piano Vern Griffiths, percussion

The North, “that incredible tapestry of tundra and taiga country,” as Glenn Gould called it, holds a special fascination for many artists, composers, and musicians. On , November 6, 2012, join Standing Wave, Vancouver’s intrepid new music sextet, on a circumpolar expedition through a vast, echoing landscape of music inspired by the physical and metaphorical aspects of the North.

The centerpiece of Northern Visions will be a new work by the Yukon’s Daniel Janke, who found a visual template for a beautifully acrobatic piece in the aerial display provided by flocks of small indigenous northern birds against the backdrop of a bleak northern landscape.

The ensemble will also perform renowned Alaskan composer John Luther AdamsThe Light Within, called a “shimmering spectrum of massive, merging harmonies” (Thomas May, Seattle Weekly), Swedish composer Fabian Svensson’s relentless, combative Two Sides, as well as The Age of Wire and String, by Norwegian composer Rolf Wallin.  Standing Wave’s newest member, the spectacular flutist Christie Reside, will be featured in Kalais, by Icelandic composer Thorkell Sigurbjörnsson.  Standing Wave will also premiere a new arrangement by Marcus Goddard of Terry Riley’s minimalist classic Half Wolf Dances Mad in Moonlight.

standing wave - northern visions - nov.6

Standing Wave is an ensemble of six exceptional musicians who perform contemporary music with virtuosity and style, cutting across musical landscapes with sharpness, wit and intelligence. The ensemble is equally comfortable performing complex chamber compositions, new music and works with electro-acoustics. Their adventurous programming and dynamic performances combine to capture listeners’ hearts and imaginations, placing Standing Wave at the forefront of Canada’s new music scene.

 “…fresh sounds that twist and surprise… Standing Wave is a vital contemporary voice with drop-dead ingenious musicians.”   Vancouver Sun

Standing Wave – Northern Visions, October 11, 2012

Tuesday, September 4th, 2012

NORTHERN VISIONS 

standing wave ensemble

Thursday October 11, 2012, 8pm at the Cultch, 1895 Venables Street, Vancouver

$22.00 general / $17.00 students & seniors

Tickets through The Cultch box office • tickets.thecultch.com • 604.251.1363

For more info call 604.683.8240 •  or visit www.standingwave.ca


Christie Reside, flute A-K Coope, clarinet Rebecca Whitling, violin

Peggy Lee, cello Allen Stiles, piano Vern Griffiths, percussion

The North, “that incredible tapestry of tundra and taiga country,” as Glenn Gould called it, holds a special fascination for many artists, composers, and musicians. On October 11, 2012, join Standing Wave, Vancouver’s intrepid New Music Sextet, on a circumpolar expedition through a vast, echoing landscape of music inspired by the physical and metaphorical aspects of the North.

The centerpiece of Northern Visions will be a new work by the Yukon’s Daniel Janke, who found a visual template for a beautifully acrobatic piece in the aerial display provided by flocks of small indigenous northern birds against the backdrop of a bleak northern landscape.

The ensemble will also perform renowned Alaskan composer John Luther AdamsThe Light Within, called a “shimmering spectrum of massive, merging harmonies” (Thomas May, Seattle Weekly), Swedish composer Fabian Svensson’s relentless, combative Two Sides, as well as The Age of Wire and String, by Norwegian composer Rolf Wallin.  Standing Wave’s newest member, the spectacular flutist Christie Reside, will be featured in Kalais, by Icelandic composer Thorkell Sigurbjörnsson.  Standing Wave will also premiere a new arrangement by Marcus Goddard of Terry Riley’s minimalist classic Half Wolf Dances Mad in Moonlight.

Standing Wave is an ensemble of six exceptional musicians who perform contemporary music with virtuosity and style, cutting across musical landscapes with sharpness, wit and intelligence. The ensemble is equally comfortable performing complex chamber compositions, new music and works with electro-acoustics. Their adventurous programming and dynamic performances combine to capture listeners’ hearts and imaginations, placing Standing Wave at the forefront of Canada’s new music scene.

 “…fresh sounds that twist and surprise… Standing Wave is a vital contemporary voice with drop-dead ingenious musicians.”   Vancouver Sun

ETHOS COLLECTIVE presents Preludes

Saturday, September 1st, 2012

ETHOS COLLECTIVE presents PRELUDES

Saturday, September 15, 2012, 8pm

Orpheum Annex, 823 Seymour Street

$25 general / $15.00 students & seniors

Tickets: ethos.brownpapertickets.com or at the door. Box office will open at 7 pm

For more info visit www.ethosmusic.ca or phone 604.683.8240

Ethos Collective

Samantha Fu flute Kathryn Emiko Lee violin

Stefan Hintersteininger cello Christopher Morano piano

Katie Rife percussion Timothy Van Cleave percussion

Special Guests

Bob Becker percussion Vern Griffiths percussion

Daniel Tones percussion Domagoj Ivanovic violin

Marcus Takizawa viola Leanna Wong bass

Melanie Krueger soprano Leslie Dala conductor

On Saturday, September 15, Ethos Collective will present a concert featuring Preludes, a recently commissioned work for string quartet, percussion quartet and piano by the renowned Toronto percussionist & composer, Bob Becker. Becker will be the featured composer as well as one of eight stellar guest artists to perform with Ethos, Vancouver’s exciting new contemporary music ensemble.

A founding member of the seminal percussion ensemble NEXUS, Becker’s performing experience spans nearly all of the musical disciplines where percussion is found, and he is generally considered to be one of the world’s premier virtuoso performers on the xylophone and marimba. He has performed and recorded with orchestras and contemporary music ensembles around the world, both as a soloist and with NEXUS, and has been a regular member of the ensemble Steve Reich and Musicians since 1973. Becker’s compositions and arrangements are performed regularly by percussion groups world-wide. This will be his first visit to Vancouver since performing here with NEXUS in 1994.

The program will also feature Becker’s Prisoners of the Image Factory, Unseen Child, and Never in Word, as well as premieres of works written for Ethos by Vancouver composers Jordan Nobles and François Houle.

Ethos Collective, Vancouver’s newest contemporary music ensemble, takes an outward and experimental approach to classical music, seeking to discover new musical realms. For this concert, they will delve into three new compositions as well as improvisation and collaboration.

This past season, Ethos’s performances included a concert produced by Redshift Music, featuring the premiere of works written for them as part of the Canadian Music Centre and Canadian League of Composers’ emerging composers program. In April, Barking Sphinx presented Ethos in a concert of improvised music at the Western Front. Preludes will be Ethos’ first self-produced concert at Vancouver’s new concert venue, the Orpheum Annex.

ethos_preludes

Peggy Lee Band presents INVITATION, June 8, 2012

Monday, May 14th, 2012

 

An evening of original music at Ironworks Studio featuring

Peggy Lee, cello ▪ Brad Turner, trumpet

Jon Bentley, saxophone ▪ Jeremy Berkman, trombone

Ron Samworth, guitar ▪ Tony Wilson, guitar

André Lachance, bass ▪ Dylan van der Schyff, drums

 

Friday, June 8, 2012 at 8pm

The Ironworks Studios

235 Alexander Street, Vancouver

$15 (general) / $12 (students & seniors)

Tickets at www.brownpapertickets.com

For reservations & info, call 604.683.8240 or e-mail diane@dkam.ca

The Peggy Lee Band performs original music with intensity, emotion and beauty at the intimate Ironworks on the evening of Friday, June 8. New compositions by leader and cellist Peggy Lee will be presented alongside favourite repertoire written for this octet of fantastic Vancouver musicians.

The Peggy Lee Band was formed in 1998 as a vehicle for Peggy Lee’s compositions and to improvise within these compositions. The band has released four CDs and toured nationally and internationally to critical acclaim. The band is comprised of local greats whose individual sounds and strengths are critical to the band’s unique sound.

Since moving to Vancouver in 1989, the Toronto born cellist has become a major voice in the creative music community. Current projects besides the Peggy Lee Band include Ron Samworth’s Talking Pictures, The Tony Wilson Sextet, Wayne Horvitz’ Gravitas Quartet, a duo with Robin Holcomb, the string quartet Microcosmos, a new collaboration with Mary Margaret O’Hara called Beautiful Tool, Dave Douglas’ Mountain Passages and the new music ensemble Standing Wave.

This music will be recorded at the Warehouse Studio in June for release on Drip Audio in the fall of 2012.

 

…fearless and sweet, … adventurous and diverse.   The Georgia Straight

… a strikingly original composer. Wonderfully expressive and individualistic, her pieces defy categorization even as they exploit the free-flowing interplay of her bandmates.   Globe and Mail

Standing Wave presents Raven Tales – May 27, 2012

Tuesday, April 24th, 2012

Raven Tales

standing wave ensemble

Sunday May 27, 2012, 8pm at The Cultch, 1895 Venables Street

$22.00 general / $17.00 students & seniors

Tickets through The Cultch box office • tickets.thecultch.com • 604.251.1363

Join Standing Wave, Vancouver’s cutting edge chamber ensemble and special guests The Git Hayetsk Dancers for an evening of music borne of myth, legend, and nature featuring the premiere of award-winning Vancouver composer Marcus Goddard’s Raven Tales, inspired by the work of renowned Nisga’a artist Mike Dangeli, and George Crumb’s classic Vox Balaenae, with visual design and masks by Dangeli. Also including works of Steven Mackey, Michael Colgrass and Paul Frehner, along with Olivier Messiaen’s Le Merle Noir, newly arranged by Jennifer Butler.

Standing Wave, in collaboration with Vancouver composer Marcus Goddard and First Nations artist Mike Dangeli, have created an evocative program combining dance, visual installations and new music. In First Nations culture, the raven holds a significant place, described alternately as a powerful creative force, a trickster, or a reflection of oneself. Goddard’s new work, Raven Tales draws on this history, musically exploring how the complexities of the raven’s character are echoed in the human world.

Standing Wave is an ensemble of six exceptional musicians who perform contemporary music with virtuosity and style, cutting across musical landscapes with sharpness, wit and intelligence. The ensemble is equally comfortable performing complex chamber compositions, new music and works with electro-acoustics. Their adventurous programming and dynamic performances combine to capture listeners’ hearts and imaginations, placing Standing Wave at the forefront of Canada’s new music scene.

www.standingwave.ca

 

 “…fresh sounds that twist and surprise… Standing Wave is a vital contemporary voice with drop-dead ingenious musicians.”

Vancouver Sun

 

We gratefully acknowledge the financial support of the British Columbia Arts Council, the Canada Council for the Arts, the Province of BC through Direct Access to Charitable Gaming, The Hamber Foundation  and the City of Vancouver through the Office of Cultural Affairs.

NEW RELEASE! Robin Holcomb & Talking Pictures with Wayne Horvitz

Monday, September 27th, 2010

The Point of It All - cover art

Presenting The Point of It All, a new recording from the rich creative collaboration between Talking Pictures, singer-pianist Robin Holcomb, and keyboardist Wayne Horvitz.  Together they create a musical tapestry weaving free improvisation with lyrical compositions.

In a post-modern world of sometimes gaudy mix-and-match stylistics, yet another record that confounds easy categorization may not seem unusual. But The Point of It All is unusual. For one thing it takes its time to get where it’s going, and this slow build has a cumulative effect. And, as the title suggests, there’s a lesson of sorts being expounded. There’s certainly something archaic about it, almost as if these songs had already existed as prototypes in another time and place, a lost America of long ago (of course one of them, Johnny Has Gone for a Soldier, actually dates from the American War of Independence).  You can hear this in Robin’s voice, which seems to lament even as it celebrates, and you can hear it in the sometimes circus-like and gospel-like tones and timbres of the instruments. Yet this music is very much about now, a symbolic distillation of the present. It does not mince words, and its catharsis is hard-earned, not nostalgic. It is also, at times, joyful and exuberant, even raucous. It seems to light up from the inside.

Robin Holcomb’s last release on Songlines was Solos (2004) on which she and her husband Wayne Horvitz shared a program of their solo piano compositions and improvisations. Meanwhile Vancouver guitarist Ron Samworth’s quartet Talking Pictures (which released Humming on Songlines in 2000) had been performing some of Robin’s music and had concertized with Wayne (documented on the CD Intersection Poems); in 2006 Ron invited Robin and Wayne to collaborate with them in creating a collectively arranged concert of Robin’s work in Vancouver. Peggy Lee was already part of Wayne’s Gravitas Quartet, and after the concert everyone felt that this new initiative shouldn’t just be a one-off. Peggy and Robin started performing occasionally as a duo, and in 2009 a second Vancouver concert and a recording session were organized. Ron and Peggy each composed a new song for the occasion to complement 9 pieces of Robin’s (only one of which had been recorded before) and her arrangement of After the Gold Rush.

The results throw a different light on the music of one of America’s most distinctive yet ultimately elusive musicians and lyricists.

As Robin puts it, “Talking Pictures share an intimacy and intuition that is staggering and which they apply with joyful abandon in not only our mutual improvisations but also in their interpretation of my compositions. It was a wonderful experience for me, one of those rare situations wherein I can not only improvise and do whatever arises in the moment, but can also bring to the table any music I want to – the end result doesn’t have to be only an improvised project, or a chamber music project, or a songs project or a jazz project. There is great logic in their coloration and sense of balance, no matter how seemingly chaotic or contrary….Wayne and I have been playing each other’s music for more than thirty years. Talking Pictures have played together for over fifteen years. There are a lot of historical strands at work.”

Ron adds, “Robin’s music is the perfect vehicle for a band like Talking Pictures. There is such a wealth of information in any given phrase – melodic, harmonic and rhythmic, not to mention the extraordinary richness of lyrical imagery in her songs. It’s an improviser’s dream. Our band greatly values ensemble playing where we create unified improvised pieces that explore a variety of textures and moods. Robin and Wayne seem to share that open, collective spirit.”

For more information: www.robinholcomb.com, www.waynehorvitz.net, www.answers.com/topic/ron-samworth, www.dkam.ca/artists/talking-pictureswww.dkam.ca/artists/peggy-lee-band.

The interview with Robin and Ron is at songlines.com/interviews/pointofitall.html.

Press support: Cary Goldberg, GoMediaPR, (434) 293-6633, cary@gomediapr.com

Tony Reif/Songlines Recordings
3036 W. 6th Ave., Vancouver, BC V6K 1X3, Canada
(604) 737-1632 • treif@songlines.com • www.songlines.com
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