Posts Tagged ‘trumpet’

coming up! DRUM + LIGHT on May 24

Thursday, April 25th, 2013

at Roundhouse Performance Centre

181 Roundhouse Mews, Vancouver 

Doors 8pm • Show 9pm

Tickets $25 General • $15 Students & Seniors

$15 Groups (5+) • cash only at the door

Get your tickets online at brownpapertickets.com

Info:  hardrubber.com • 604.683.8240

Mark this date on your calendar.  Come out and dance!

Drum + Light is a night of high-energy sonic and visual extravagance featuring percussion, improvised and jazz music, electronica, and visual projections by some of Vancouver’s best and brightest artists.  Each year since 2008, Vancouver’s Hard Rubber Orchestra has unleashed Drum + Light, a series of sold-out multimedia dance events featuring a 14-piece groove orchestra and eye-popping visuals.

The dance party continues in 2013.

Drum + Light combines the most cutting-edge music and lights for a breathtaking evening at the Roundhouse Performance Centre. This high-energy dance event features a 14-piece mondo-groove ensemble, five drummers, electronic music and turntables. Music by an all-star collection of Vancouver artists -­ featured musicians include drummers Randall Stoll (Soulstream) and Ali Siadat (Mother Mother), Tim Proznick (Kyprios), keyboardist Chris Gestrin, guitarist Russ Klyne, and Stefan Smulovitz on laptop. Plus dazzling lights by Mychal Heidro and some of Vancouver’s hottest b-boys & b-girls. The Roundhouse’s Locomotive Room will be transformed into a chill room with downtempo DJ.

Hard Rubber New Music has presented concerts of original music by some of Canada’s most exciting composers, performed by some of Vancouver’s finest musicians. Under the artistic direction of composer, conductor, musician John Korsrud, previous large-scale works include Alcan Award-winning Enter/Exit, a multi-media extravaganza featuring the premiere of compositions by Giorgio Magnanensi, Brad Turner and John Korsrud as well as visual projections by jamie griffiths, Brian Johnson, Rena del Pieve Gobbi, Riel Roussopoulos and HoneyBee Visuals. Other projects include The Ice Age, ice shows (2000, 2010) featuring the talents of hockey players, curlers and figure skaters; White Hot Core, a collaboration with Kokoro Dance; and The Elvis Cantata, which took an irreverent look at pop icons. The all-star Hard Rubber Orchestra features the finest of Vancouver’s jazz community and performs music that is influenced by jazz, pop, world, contemporary classical and improvised music. Since its debut in 1990 the Orchestra has toured to Europe and across Canada including concerts in Amsterdam and at FIMAV in Quebec.

 

HARD RUBBER IS, NO QUESTION, CONSISTENTLY THE BEST VANCOUVER BAND EVENT YOU CAN SEE   Discorder Magazine

 HRO Drum + Light 2013 poster.indd

Hard Rubber Orchestra Plays Mahavishnu Orchestra, April 14

Friday, March 9th, 2012
Hard Rubber Orchestra Plays Mahavishnu Orchestra

 John Korsrud’s 18-piece jazz powerhouse, plays the music of the famed Mahavishnu Orchestra 

 

Saturday, April 14, 2012 at 8pm

Fei and Milton Wong Experimental Theatre ● Goldcorp Centre for the Arts

SFU Woodward’s ● 149 W.Hastings Street

Tickets $25 General, $15 Students/Seniors

Buy tickets at  www.brownpapertickets.ca

For more info: www.hardrubber.com or phone 604.683.8240


On April 14, 2012 Hard Rubber Orchestra, John Korsrud’s 18-piece jazz powerhouse, plays the music of the famed Mahavishnu Orchestra.  In the early 70’s, this five-piece unit, lead by guitarist John McLaughlin, blew minds and drew a cult following with their ground-breaking fusion of jazz, Indian ragas and high volume rock n roll. Hard Rubber will perform original arrangements by John Korsrud, Fred Stride, Bill Runge and others, with guests; drummer Randall Stoll, and Chris Gestrin on keyboards, along with the 18-piece orchestra.  Come and see the Mahavishnu Orchestra re-visited and re-imagined by Vancouver’s one and only Hard Rubber Orchestra.

Formed by artistic director John Korsrud twenty years ago, the Hard Rubber Orchestra has consistently been Canada’s most active and unpredictable ensembles of creative music, presenting concerts of original music by some of Canada’s most exciting composers, performed by Vancouver’s finest musicians. They have toured across Canada several times and to Europe, released 2 CDs, and have produced operas, TV specials, ice shows and raves. They are the recipients of the 2005 Alcan Arts Award, the largest arts award for creation in Canada.

Described by the Georgia Straight as the “Godzilla of the Vancouver jazz scene, a big, goofy monster that stomps through complex charts with the swagger of big swing band and the heat of a thermonuclear explosion,” The Hard Rubber Orchestra has commissioned many of the finest composers from Vancouver and across Canada, including Scott Good, Linda Bouchard, Ian McDougall, Brad Turner, Phil Dwyer, Michael Blake, Fred Stride, Hugh Fraser, Peter Hannan, Howard Bashaw and Montreal’s Jean Derome and René Lussier.

The performance was one of the most exhilarating I’ve been to in ages. I’ve rarely encountered such a magical combination of terrific musicians exploring well-crafted new repertoire with wit and intelligence. The sheer energy and commitment that went into the event was staggering . . . it was one of the most impressive musical events I’ve experienced in Vancouver in several years.”

Denise Ball, Producer, CBC Radio

 

Orchestra Goma Dura at Kozmik Zoo – March 29, 2012

Thursday, March 8th, 2012

20-piece all-star Latin-Jazz Orchestra!
Canada’s biggest salsa band! $8. at the door!

Kozmik Zoo, 53 W.Broadway, 8:30pm Thursday March 29, 2012

 

NEW RELEASE! Robin Holcomb & Talking Pictures with Wayne Horvitz

Monday, September 27th, 2010

The Point of It All - cover art

Presenting The Point of It All, a new recording from the rich creative collaboration between Talking Pictures, singer-pianist Robin Holcomb, and keyboardist Wayne Horvitz.  Together they create a musical tapestry weaving free improvisation with lyrical compositions.

In a post-modern world of sometimes gaudy mix-and-match stylistics, yet another record that confounds easy categorization may not seem unusual. But The Point of It All is unusual. For one thing it takes its time to get where it’s going, and this slow build has a cumulative effect. And, as the title suggests, there’s a lesson of sorts being expounded. There’s certainly something archaic about it, almost as if these songs had already existed as prototypes in another time and place, a lost America of long ago (of course one of them, Johnny Has Gone for a Soldier, actually dates from the American War of Independence).  You can hear this in Robin’s voice, which seems to lament even as it celebrates, and you can hear it in the sometimes circus-like and gospel-like tones and timbres of the instruments. Yet this music is very much about now, a symbolic distillation of the present. It does not mince words, and its catharsis is hard-earned, not nostalgic. It is also, at times, joyful and exuberant, even raucous. It seems to light up from the inside.

Robin Holcomb’s last release on Songlines was Solos (2004) on which she and her husband Wayne Horvitz shared a program of their solo piano compositions and improvisations. Meanwhile Vancouver guitarist Ron Samworth’s quartet Talking Pictures (which released Humming on Songlines in 2000) had been performing some of Robin’s music and had concertized with Wayne (documented on the CD Intersection Poems); in 2006 Ron invited Robin and Wayne to collaborate with them in creating a collectively arranged concert of Robin’s work in Vancouver. Peggy Lee was already part of Wayne’s Gravitas Quartet, and after the concert everyone felt that this new initiative shouldn’t just be a one-off. Peggy and Robin started performing occasionally as a duo, and in 2009 a second Vancouver concert and a recording session were organized. Ron and Peggy each composed a new song for the occasion to complement 9 pieces of Robin’s (only one of which had been recorded before) and her arrangement of After the Gold Rush.

The results throw a different light on the music of one of America’s most distinctive yet ultimately elusive musicians and lyricists.

As Robin puts it, “Talking Pictures share an intimacy and intuition that is staggering and which they apply with joyful abandon in not only our mutual improvisations but also in their interpretation of my compositions. It was a wonderful experience for me, one of those rare situations wherein I can not only improvise and do whatever arises in the moment, but can also bring to the table any music I want to – the end result doesn’t have to be only an improvised project, or a chamber music project, or a songs project or a jazz project. There is great logic in their coloration and sense of balance, no matter how seemingly chaotic or contrary….Wayne and I have been playing each other’s music for more than thirty years. Talking Pictures have played together for over fifteen years. There are a lot of historical strands at work.”

Ron adds, “Robin’s music is the perfect vehicle for a band like Talking Pictures. There is such a wealth of information in any given phrase – melodic, harmonic and rhythmic, not to mention the extraordinary richness of lyrical imagery in her songs. It’s an improviser’s dream. Our band greatly values ensemble playing where we create unified improvised pieces that explore a variety of textures and moods. Robin and Wayne seem to share that open, collective spirit.”

For more information: www.robinholcomb.com, www.waynehorvitz.net, www.answers.com/topic/ron-samworth, www.dkam.ca/artists/talking-pictureswww.dkam.ca/artists/peggy-lee-band.

The interview with Robin and Ron is at songlines.com/interviews/pointofitall.html.

Press support: Cary Goldberg, GoMediaPR, (434) 293-6633, cary@gomediapr.com

Tony Reif/Songlines Recordings
3036 W. 6th Ave., Vancouver, BC V6K 1X3, Canada
(604) 737-1632 • treif@songlines.com • www.songlines.com
Distributed in the US by Allegro, allegro-music.com, in Canada by Outside Music, outside-music.ca